'But that's what this is, isn't it? The ultimate bitch fight.' When John takes a break from his boyfriend, he accidentally meets the girl of his dreams. Filled with guilt and indecision, he decides there is only one way to straighten this out Mike Bartlett's punchy new story takes a playful, candid look at one man's sexuality and the difficulties that arise when you realise you...(展开全部)

Elseworlds系列的开山怪！Mike Mignola的早期经典！维多利亚时代的歌谭市，蝙蝠侠的对手是神秘的连环杀人狂开膛手杰克，当布鲁斯·韦恩被作为凶手关进监狱，他将如何找到真凶？

在线阅读本书 Two boys. Two balloons. Each boy thinks his balloon is best. What do you think?

Phineas G. sets out to write a biography of a great biographer. But a “whole life” is hard to find. Everywhere he looks he finds fragments and gaps: bones and husks, boxes of marbles, collections of coins and undated postcards. Trails run cold and mysteries are unresolved. Phineas feels he is hunting shadows. Like a shaman flying across the globe, his mind tracks the journeys ...(展开全部)

Offred is a Handmaid in the Republic of Gilead. She has only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs.

马丁·莱瑟姆（Martin Latham） 马丁是一名从业达35年的书商，是英国水石书店（Waterstones）任职时间最长的经理。他拥有伦敦国王大学学院印度历史学博士学位，并在赫特福德大学（University of Hertfordshire）任教，之后转向图书销售。著有《肯特的奇闻轶事》（Kent’s Strangest Tales）、《伦敦都市》（Londonopolis）等，也是《牛津20世纪文学指南》（Oxford Guide to Twentieth Century Literature）的撰稿人。

The author presents his most famous, and infamous, cases and clients, and in the process, takes a critical, informed look at a legal system that he regards as deeply corrupt.

What is at stake in literature? Can we identify the fire that our stories have lost, but that they strive, at all costs, to rediscover? And what is the philosopher's stone that writers, with the passion of alchemists, struggle to forge in their word furnaces? For Giorgio Agamben, who suggests that the parable is the secret model of all narrative, every act of creation tenacious...(展开全部)

What is at stake in literature? Can we identify the fire that our stories have lost, but that they strive, at all costs, to rediscover? And what is the philosopher's stone that writers, with the passion of alchemists, struggle to forge in their word furnaces? For Giorgio Agamben, who suggests that the parable is the secret model of all narrative, every act of creation tenacious...(展开全部)

What is at stake in literature? Can we identify the fire that our stories have lost, but that they strive, at all costs, to rediscover? And what is the philosopher's stone that writers, with the passion of alchemists, struggle to forge in their word furnaces? For Giorgio Agamben, who suggests that the parable is the secret model of all narrative, every act of creation tenacious...(展开全部)